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Xiaotai CAOæ¹ææ³°ïŒãœãŠ ã®ã§ãŠã¿ã€ïŒXiaotai Cao was born in Qinghai Province, China in 1993.In his works, he mostly uses materials from nature - woods, plants, flowers, etc. - and creates new forms of outputs through understanding and interpretation of natural elements such as mountains and water. He also emphasizes the coordination and mutual influence between human and nature.He currently lives in Japan and studies in the Global Art Practice Masters program at Tokyo University of the Arts.æ¹ææ³°(Xiaotai Cao)ã¯1993幎ãäžåœéæµ·ççãŸããæšãæ€ç©ãè±ãªã©èªç¶ã®çŽ æãå€ã䜿ããå±±ãæ°Žãèªç¶ã®èŠçŽ ãç解ãã解éããããšã«ãããæ°ããªåœ¢ãšã¢ãŠãããããçã¿åºããŠããã圌ã¯ãŸãã人éãšèªç¶ã®ååãšçžäºäœçšã匷調ããŠãããçŸåšãæ¥æ¬åšäœãæ±äº¬èžè¡å€§åŠé¢ã°ããŒãã«ã¢ãŒããã©ã¯ãã£ã¹ç§åšåŠäžãB. 1993 in Qinghai, China.1993 äžåœéæµ·ççãŸã2010-2014 B.F.A Beijing Forestry University, Landscape Architecture2010-2014 å京ææ¥å€§åŠåæå°æ»åæ¥2020 -Now M.F.A. Tokyo University of the Arts, Global Art Practice.2020-ä» æ±äº¬èè¡å€§åŠã°ããŒãã«ã¢ãŒããã©ã¯ãã£ã¹å°æ»ä¿®å£«èª²çšåšç±Exhibitions2021.09âThe fields of Creationâ. Ohara Ryu Kaikan, Tokyo, Japanãåµé ã®å Žãå±ã æ¥æ¬æ±äº¬å°åæµäŒé€š2021.07â5 Exhibitionâ. Sansaki café, Tokyo, Japanã5ãå±ãæ¥æ¬æ±äº¬ããããåã«ãã§2021.05âDeâ Constructionâ. Geidai Toride Museum, Ibaraki, Japanããã»ã³ã³ã¹ãã©ã¯ã·ã§ã³ãå±ãæ¥æ¬èšåçè倧åæçŸè¡é€š2021.03 âHOME: House Of My Emotionâ. Yukobo Art Space, Tokyo, JapanãHOMEïŒããŠã¹ ãªã ã〠ãšã¢ãŒã·ã§ã³ãå±ãæ¥æ¬æ±äº¬éå·¥æ¿ã¢ãŒãã¹ããŒã¹2021.01 â15th Geidai Art Plaza Award 2021â, Geidai Art Plaza, Tokyo, Japanã2021第15åè倧ã¢ãŒããã©ã¶å€§è³ãå±ãæ¥æ¬æ±äº¬è倧ã¢ãŒããã©ã¶2020.12âArt as Experiment: Body in the Kitchenâ. Onlineãã¢ãŒã ã¢ãº ãšã¯ã¹ããªã¡ã³ãïŒãã㣠ã€ã³ 㶠ãããã³ãå±ããªã³ã©ã€ã³2020.09 â[ ] in Motionâ. Toride campus, Tokyo University of the Arts, Tokyo, Japanãåãå§ããã ããå±ãæ¥æ¬èšåçè倧åæãã£ã³ãã¹2019.02 âThe Future Garden.â Chaoyang Joy City, Beijing, Chinaãæªæ¥è±åãå±ãäžåœå京æéœå€§æŠå2018.09 âFour Seasons 2018 Taste of Artistryâ. Four Seasons Hotel, Shanghai, Chinaããã©ãŒã·ãŒãºã³ãºããã«2018èžã»éµã»å³ãå±ãäžåœäžæµ·ãã©ãŒã·ãŒãºã³ãºããã«2018.01 âOut of Orbitâ. 798 Art District, Beijing, Chinaãåºèœšãå±ãäžåœå京798èžè¡åº2017.09 â2017 Fleuramourâ. Alden Biesen Castle, Belgiumã2017 Fleuramourãå±ããã«ã®ãŒã¢ã«ãã³ã»ãã€ã»ã³ãã£ãã¹ã«äœååçïŒThe Mask of Driftwoodæµæšã®ä»®é¢2021.08Color glue/Wood/Plasticã«ã©ãŒã°ã«ãŒ/æµæš/ãã©ã¹ããã¯#01 L250*W150*H120mm#02 L280*W120*H240mmDuring the COVID-19 pandemic, I walked along the deserted coast of Oarai in Eastern Japan.The Pacific Ocean has brought wood and trash here in abundance, and they lie on the shore in harmony, just as they have grown here since the beginning.The wind swept, and the bodies and bones of animals and plants return to dust, or turn into oil and fossils. While the plastic that humans extract from oil remains long time on the earth. They wrap, they cover or they get swallowed, They are totally different and yet identical from things in nature.Like someone with a mask: specious, the same and yet not the same.ã³ããäžã誰ãããªãæ±æ¥æ¬ã®å€§æŽæµ·å²žãæ©ããã倪平æŽãå€ãã®æšããŽããéãã§ããŠã海岞ã«äžç·ã«çããŠããããã ã海颚ã«å¹ãããåæ€ç©ã®éºäœã¯å¡µã«éããç³æ²¹ãåç³ãšåããæã ãç³æ²¹ããåãåºãããã©ã¹ããã¯ã¯ãå°çã®è¡šé¢ã«é·ãæ®ã£ãŠãããå·»ãã€ããããèŠã被ãã£ããã飲ã¿èŸŒãŸãããããããã¯èªç¶ã®äžã®ãã®ãšã¯ç°ãªãããåããã®ã§ããããä»®é¢ããã¶ã£ãèªåã®ããã«ã䌌ãŠéãªããäžã€ã§ããã¯ããªã®ã«ãäžã€ã§ã¯ãªããïŒä»åã®ã¬ãžãã³ã¹ã§ã€ãããããã® æã çŸåšã®å¿å¢ãªã©I've always been interested in nature around the environment I live in. During my stay in Toride, I collected the wild flowers and plants every day and combined them with objects in my daily life to create works. This series of works â âThe flower becomes meâ â will also be exhibited in the upcoming Geidai Graduation Exhibition 2022.For the residential project in Karuizawa, I want to continue this work. I hope that the nature of Karuizawa, as well as the surrounding plants, will bring me different inspirations and ideas.At the same time, I am considering the combination of 3D modeling and virtual plant works, hoping to have a good start during this residential project.ç§ã¯äœãã§ãããšããã®èªç¶ã«ãã€ãèå³ãæã£ãŠããŸããåæã«äœãã§ããæãæ¯æ¥éè±ãæ€ç©ãéããæ¥åžžã®ç©ãšçµã¿åãããŠäœåãäœã£ãŠããŸããããã®äžé£ã®äœåãè±ã¯ç§ã«ãªããã¯ãä»åã®èžå€§åæ¥å±2022ã«ãå±ç€ºãããŸãã軜äºæ²¢ã§ãã®äœåãç¶ããŠãããããšæããŸãã軜äºæ²¢ã®èªç¶ãšãã®åšèŸºã®æ€ç©ããç§ã«ããŸããŸãªã€ã³ã¹ãã¬ãŒã·ã§ã³ãã¢ã€ãã¢ããããããŠãããããšã楜ãã¿ã«ããŠããŸãããŸãã3Dã¢ããªã³ã°ãšããŒãã£ã«æ€ç©ã®äœåãäœãããã®ã§ãä»åºŠã®ã¬ãžãã³ã¹ãããžã§ã¯ãã®éã«è¯ãã¹ã¿ãŒããåãããšãæãã§ããŸãã
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